Ranking 8 Weakest Rob Reiner Movies
Rob Reiner gave us some of the most beloved movies ever made, from romantic comedies that make us swoon to adventure tales we quote nonstop.
However, even legendary directors stumble sometimes, and Reiner’s filmography includes a few projects that missed the mark by a mile.
These 8 films earned brutal reviews, low ratings, and left audiences wondering what went wrong with the mastermind behind so many classics.
Disclaimer: Placement is based on Rotten Tomatoes ratings as they appeared at the time of writing and those aggregates are not objective truth, so scores and perceptions can change over time.
1. Alex & Emma (2003) – 11%

Romantic comedies should sparkle with chemistry, but this one fizzled like a damp firecracker. Kate Hudson and Luke Wilson star in a story about a writer racing against a deadline while inventing a romance novel.
Critics slammed the film for its confusing structure that jumps between reality and fiction without much payoff.
With an 11% Rotten Tomatoes score, it ranks as Reiner’s absolute lowest-rated movie, proving that even talented stars can’t save a weak script from disaster.
2. North (1994) – 12%

Imagine a kid divorcing his parents because they don’t appreciate him enough, then traveling the world auditioning replacement families. Sounds bizarre, right?
Roger Ebert absolutely demolished this fantasy comedy, calling it one of the most unpleasant movie experiences ever.
The implausible plot, awkward performances, and cringeworthy stereotypes made audiences uncomfortable rather than entertained.
3. And So It Goes (2014) – 16%

Michael Douglas plays a grumpy realtor who clashes with his neighbor, played by Diane Keaton, in this forgettable rom-com.
Where When Harry Met Sally crackled with wit and warmth, this film felt tired and uninspired from start to finish.
The predictable storyline offered zero surprises, and the leads seemed to be sleepwalking through their roles.
4. Rumor Has It (2005) – 21%

What if your family inspired The Graduate, one of cinema’s most iconic films? That’s the premise behind this romantic comedy starring Jennifer Aniston, Kevin Costner, and Mark Ruffalo.
Unfortunately, the weak script couldn’t support the intriguing concept, and the cast lacked the spark needed to make their relationships believable.
Though the star power attracted audiences initially, the film quickly faded from memory like yesterday’s gossip.
5. Being Charlie (2015) – 23%

Reiner tackled a deeply personal story with this drama about a teenager struggling with addiction, inspired by his own son’s experiences.
Nick Robinson plays Charlie, a privileged kid who keeps escaping rehab facilities while his politician father campaigns for governor.
Despite honest intentions, the film felt heavy-handed and preachy rather than genuinely moving.
6. The Story of Us (1999) – 25%

Bruce Willis and Michelle Pfeiffer play a married couple teetering on the edge of divorce in this relationship drama.
Though the premise promised raw emotional honesty, the film delivered a predictable slog that felt way longer than its actual 90-minute runtime.
The leads shared zero chemistry, making their relationship struggles feel manufactured rather than authentic.
7. Shock and Awe (2017) – 28%

Journalists investigating the Bush administration’s claims about weapons of mass destruction before the war sounds like compelling material for a political thriller.
Woody Harrelson, James Marsden, and Tommy Lee Jones lead the ensemble cast as reporters searching for truth.
However, the film felt more like a dry history lesson than gripping cinema, lacking the tension and urgency the real-life story deserved.
Though factually accurate, Shock and Awe never captured the dramatic potential of its subject matter.
8. The Magic of Belle Isle (2012) – 31%

Morgan Freeman plays a wheelchair-using author who rediscovers life’s joys while spending summer in a small lakeside town.
The sentimental story aimed for heartwarming but landed closer to syrupy and overly sentimental instead.
Critics felt the film relied too heavily on cliches about disability, creativity, and small-town charm without offering fresh perspectives.
Even Freeman’s considerable talent couldn’t elevate the predictable plot and schmaltzy dialogue.
